"Cultural oppression" and Delta House
Shama lama ding dong
One of the countless miracles of Animal House is its affirmation that we are allowed to revel in crude ethnic stereotypes and innocent condescension toward our fellow human beings. Beyond our five male titans and four relatively unimportant females is Everyone Else, those very minor characters whose frailties make for so many laughs, even if each are outstanding in their own way.
However, before examining their insignificant roles, we must boldly confront the abhorrent and nonstop bigotry throughout the film, despite the fact it is all meant in just plain good fun.
We’ve already courageously addressed that pesky sexism stuff. Let’s now catalogue the movie’s rampant racism, Islamophobia, Hindu-phobia, homophobia, anti-Semitism and ableism – what the author loosely calls old-school ‘cultural oppression.’ (1.)
It begins just moments into this fun-loving story. Upon meeting Lonnie and Ken at the door of Omega house, Doug Neidermeyer doesn’t miss a beat in introducing them to our hapless quartet – Muhammad, Jugdish, Sidney and Clayton, names that have since become enshrined in crude and hilarious memes.
It’s the sheer poignancy of the scene that astounds: We are presented with a Muslim, a Hindu, a Jewish fellow and double bonus - a blind guy confined to a wheelchair. We know the implication here is as clear as day so shame on us all. Because while at first we chuckle at this pathetic line-up, we then chide ourselves for being so cruel. And then chuckle once more.
Now, let’s shift to the flat-out racism. Note the prominence of Otis Day and the Knights; indeed, the film’s music score pulses with primal Afro-American beatz and features many instances of drunken cisgender Caucasians trying to sing along.
First the Knights headline the Delta Toga party, whose attendees are clad in white sheets. Hmmm.
Soon thereafter we arrive at the Dexter Lake Club, a safe space for African-Americans fleeing white subjugation. Suddenly it is invaded by the crackers - Otter, Boon, Pinto and Dorfman and their four very pale dates from Emily Dickinson College.
Historic racial tensions immediately flare: All conversation in the club ceases, Otis and his Knights abruptly stop singing and a switchblade is revealed to Boon at the bar. Soon in blatant discriminatory fashion, Flounder cheerfully asks a hardened ‘homey’ right off the mean streets, “Where do you go to school?”
We move from this subjective prejudice to the overt. As Pinto asks Brunella what she is majoring in our camera pans to Otis as he sings the song “Shama lama ding dong” and the beloved lyric “a pappa ouu mau mau.” Simultaneously Brunella replies “Primitive cultures.” (2.) Appalling, don’t you think?
Moments later, two Dexter Lake Club dandies approach Otter and Boon and axe, “Do you mind if we dance ‘wif ‘yo dates?” Really folks, is this intolerance necessary? (3.)
Then there’s the good-old fashioned gay bashing, which occurs up front in the film so the screenwriters can just get it mercifully out of the way. 117 seconds into the film, Larry Kroger admonishes Kent Dorfman for his Pledge beanie, scornfully saying, “Don’t be a fruit, ok?” Moments later, Katy informs Delta President Robert Hoover that Boon is with Otter in his upstairs room and then turns to Larry, “They’re well-known homosexuals.” And don’t forget when Otter breezily calls Fred Dorfman a “closet case.” Is nothing off limits?!
Add to this toxic stew the curse of antisemitism. Dressed in an ascot and blazer with a long cigarette holder clenched in his teeth, Neidermeyer is on the Omega lawn surrounded by his pledges, a true WASP’s nest. He calls out to Boon and Pinto, “How does it feel to be an independent, ShoeSTEEN?” This anti-Jewish mockery is replicated by Dean Wormer, whom at the grade point average pow-wow (covered extensively in Chapter 6), alternately calls Boon “ShonesSTEIN” and “SchERNSTINE.”
And where would we be without the customary Italian Mafioso caricature? Enter our swarthy Mayor Carmine DePasto wearing a black suit, his fingers adorned with gaudy gold rings. Stereotypically, he calmly shakes down Dean Wormer for cash in heavily accented English: “I’ll have your legs broken if you mention extortion again.”
Enough of this privileged white guilt-tripping. Let’s move on and explore our delightful cast. Who are they? Let’s find out….
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