"Assume the position."

Jeff Nelligan • April 15, 2026

Douglas C. Neidermeyer, Membership Chairman, Omega Theta Pi

The allegorical anti-hero is a rarely explored character in American cinema. Excepting of course the real ones: Sauron in Lord of the Rings, Judge Smails in Caddyshack, and the entire North in Gone With The Wind.


But Animal House satisfies us here with its own villain, who just happens to be the subject of this keenly perceptive chapter.

***

Author’s Note: I momentarily considered ignoring all prior scholarship on the film to take the unprecedented step for the first time ever of combining the two protagonists, Doug Neidermeyer and Omega Theta Pi President Greg Marmalard in one chapter. At the last moment, I didn’t. 


***


For we seasoned viewers as well as for the uncultured neophytes, Douglas C. Neidermeyer is clearly portrayed as a sadistic bully with a playful homoerotic streak; his exhortation leading this chapter is nauseating pledge pin proof of that.   

But who is he? Let’s find out.
______________________


“Assume the position.”


We open the door on Neidermeyer as he opens the door to us - literally to Omega house - where he instantly sizes up Ken and Lonnie. And then he does what we know he must do: Immediately exile them… to the Loser Lounge.

The chilling scenes following this rendezvous have already been well- documented in Chapter 1 so let’s jump to a later but equally chilling tableau: Pledge initiation at Omega, where another door is opened to us, one of pathological sadomasochism.


The camera delivers us to a brutish chamber of horrors. Multiple lighted candelabras throw flickering shadows and two robed and hooded figures stand at the head of two parallel lines of practically naked young men on their knees. 

We zoom in on the grim reaper duo, one of whom holds a menacing instrument of torture - a cricket bat. Why, it’s Doug and Greg! 


“We now consecrate the bonds of obedience” intones the former darkly. And then he utters that sickening, unambiguous phrase: “Assume the position.”


We are horrified to see Chip Diller, yes, the pushy one from ages past, bend over onto his hands and knees. Neidermeyer towers over him and with a zombie-like glare raises the wooden weapon and violently strikes Chip’s backside.

Smack! We cringe in disbelief as we hear Chip plead through clenched teeth, “Please sir, may I have another.” Marmalard leers down at Diller’s glistening body while Neidermeyer grimaces fiendishly with the effort of repeated strikes.


The punishment continues (in total, four strikes of the paddle, but whose counting?) and hideous grins emerge on the faces of Greg and Doug in the shadowy, trembling light. We recoil in terror at this inhuman display of bondage. But alas, there’s more to come. Only this time in a horse stable.
_________________

“…yeah baby baby…mmmm cutie pie….”


Earlier, we’d marveled at Lieutenant Neidermeyer before the RTOC platoon, prancing on his ‘mount,’ a white steed named Trooper, a portrait reminiscent of modern-day General George S. Patton with his silver helmet, gold braid on his spotless tunic, the crisp trousers stuffed into calvary boots and the full-throated martial music in the background, all against a sun-drenched parade ground. 


But now it’s evening and we are in the darkened stables (again that symbolic symbolism!). The hapless Flounder is grappling with Trooper and a disturbing scene of neo-animalism ensues.


After throwing Flounder to the ground, Neidermeyer places a phallic symbol disguised as a carrot between his teeth and invites Trooper to partake, all the while murmuring, “Yeah baby…hmmm, good baby…’is alright…yeah…” A frightened Flounder looks on in horror.


Then our brave Lieutenant takes Flounder outside the stall and roughs him up again before ordering him to do twenty pushups. As Dorfman drops to the ground, Neidermeyer stands astride Dorfman’s rising backside and inserts a second carrot into his mouth to ostensibly feed Trooper, continuing his verbal foreplay…”Oh trooper, baby trooper,  come here…cutie pie, yeah, come on, mmmm….” This outlandish scene lasts eight seconds but leaves an imprint in our minds that will last forever. At least longer than Trooper….

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ABOUT THE BOOK

Every Dad in America wants to raise a resilient kid. Four Lessons from My Three Sons charts the course.  

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By Jeff Nelligan April 8, 2026
He discusses his inspiration for satire and the enduring appeal of “Animal House.”
By Jeff Nelligan March 31, 2026
We begin at the very beginning. Where else? It’s an early autumn evening and two excited freshmen saunter under the swaying elms lining the Faber College quad. It’s fraternity Pledge week and Larry Kroger and Kent Dorfman are on their way, theoretically, to meet new friends and share cheerful bonhomie, forge lifelong bonds and celebrate virtuous brotherhood all around. Nothing could be further from the truth. These two pilgrims are actually beginning a Homeric Odyssey of the Innocents through the Faber Greek system, at the end of which they will emerge…but hey, let’s not get ahead of ourselves. Now, imagine holding to your eyes a kaleidoscope displaying an array of shifting scenes following our unwitting frosh duo, who serve as the chief catalysts of the film. Along with other chief catalysts. Who are they? Let’s find out. ______________________ “I, state your name…” Up the steps of a fashionable residence they stroll and a door opens into the Nietzschean hell of Omega Theta Pi. “Hi there, Doug Neidermeyer. Omega Membership Chairman.”  This wonderfully patronizing voice foreshadows the rocky road ahead for our heroes. While sneering at Larry, Neidermeyer shuts the door on Kent’s head. Moments later, Omega Name Tag Hostesses Mandy Pepperidge and Babs Jansen cruelly take stock of the two, the latter voicing the endearing line that adorns this chapter. Forcefully guiding them away from the white Anglo-Saxon super-race of winners in the main room, our Membership Chairman delivers Larry and Kent to the nearby Third World sitting room where overt racism, antisemitism and ableism reach an instant and shocking peak. “Hi there fellas,” says Neidermeyer to the room’s hapless occupants, “I’d like you to meet Ken and Lonnie. Ken, Lonnie, let me introduce you to Mohammad, Jugdish, Sidney and Clayton.” Baleful stares emanate from the unfortunate trio on the couch and the inhabitant of the adjoining wheelchair. Then with his sphinxlike smile Neidermeyer adds, “Now, just grab yourselves a seat and make yourselves at home.” He forcefully pushes Lonnie onto the couch and then pats the corpulent Ken on the stomach while uttering one of the most vicious lines of the film: “And don’t be shy about helping yourself to the punch and cookies.” Spine-tingling action presaging the epic battles to come. Indeed, you can almost see the blind and crippled Clayton come to life. But hold on. Kent escapes this obvious trap to wander into the A-Listers piano lounge where Omega President Greg Marmalard, regency pipe in hand, holds forth to future shock trooper Chip Diller. Let’s listen in: “Now I’m not going to say Omega is the best house on campus. But a lot of outstanding guys figure they’ll pledge Omega or they won’t pledge at all. We do have more than our fair share of campus leaders. Something that never looks bad on your permanent record, Chip.” A pushy Chip Diller replies smarmily, “Well sure, everyone I talk to says Omega house is the best but…” Here Chip pauses and then continues, “I hate to seem you know, pushy…” Marmalard breaks in knowingly. “Let the unacceptable candidates worry about that because after tonight – “ Suddenly a sweaty Dorfman lurches into view next to Chip and Greg concludes “…there you are.” Oozing a mixture of insincerity and guile, Marmalard doesn’t miss a beat. He politely introduces Kent to Mandy Pepperidge and Chip, “…and over there is Terry Arbock, captain of the swim team, and that’s Carl Philips, editor of the Daily Faberian. And over here…” Marmalard skillfully steers him back to the land of the misfit toys “…is Clayton, Sidney, Jugless, Muhammad, Lonnie.” “We already met,” says Kent dolefully. “Ah, super! Then you’ll have plenty to talk about!” We have glimpsed our pure anti-heroes, Doug and Greg, and the percolating evil of Omega House in just 53 seconds. Are the battle lines drawn in this epic? Not quite yet, but the pencils are being sharpened. Shaking themselves free of the obvious Omega winners, Larry and Kent are outside again trudging onwards while the latter takes aim at his comrade’s pessimism. “I don’t think you’re trying very hard,” Dorfman says in exasperation. But he finds solace as they approach the known fraternity next door inasmuch as his brother was a Delta. “They gotta take me. It’s like their law. Don’t worry, Larry. I’ll put in a good word for you.” Moments later, in what some scholars call the most riveting scene in the film, Bluto urinates on their shoes. Another kaleidoscope of images bombards us from which there is no turning away. Because here we have another door opened - again that crafty symbolism! – and Delta Tau Chi is revealed to our nascent pledges. It’s a world of absolute mayhem (some use the word “symbolic” as a contrast to the hushed tones of the uptight Omega tea party). The squalid dwelling’s walls are covered in graffiti and cheesy posters and stolen road signs, loud music (a contrapuntal to the Liberace next door) and deafening conversation, beer bottles explode in every room and soon a motorcycle* breaks through the front door and is driven up the stairs to the second floor. Kent interrupts a high-stakes card game and Larry gazes at the breasts of a water-filled mermaid. ____________________ Author’s note: Carefully perceive here how the maudlin “coming of age” youth syndrome, normally years in the making in American life, is compressed into mere moments in this film. Striking. _____________________ Dorfman is soon introduced by Delta Tau Chi President Robert Hoover to Delta Rush Chairman Eric Stratton and his sidekick, Donald “Boon” Schoenstein. “Ken’s a legacy, Otter” says Hoover earnestly, “His brother Fred was a ’59.” Flounder helpfully interjects. “He says legacies usually get asked to pledge automatically.” Otter responds. “Oh well, usually. Unless the pledge in question turns out to be a real closet case. Like Fred.” Flounder gasps, “My brother!” Consider: Within five minutes the entire cast – minus one – is introduced. How do the screenwriters do it? Good question. Let’s fast forward because we can. At the official Delta Tau Chi Membership Meeting photos of Larry and Kent are projected by a slide projector on a beer-soaked bedsheet, provoking derisive cries of outrage and the heaving of empties. But as one savvy brother observes, Delta needs the dues. It is here we are witness to a unicorn moment which has escaped previous scholars and maybe even my esteemed readers. Dorfman’s pathos-ridden mugshot is shown, prompting Otter to rise to his feet to address his Delta brethren and defend Kent’s obvious unsuitability for any fraternity any where. This is the sole moment of kindly grace we see will see from Otter in the entire film. Noteworthy, but fleeting. In the seeming next moment, Hoover is wearing pajama bottoms, a Santa Claus jacket and a Viking horned helmet and initiating the pledges with the sacred Delta oath. In between belches, Sergeant-at-Arms Bluto majestically reveals their brotherhood identities, which is followed by the obligatory fraternity bonding scene: beer suds flying in the air and drunk young men dancing together and butchering the lyrics of culturally appropriated music....
By Jeff Nelligan March 20, 2026
Emile Faber, President of Faber College - 1904
By Jeff Nelligan January 29, 2026
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